An Unique Interview with Rudrakshi and Ishita, co-founders of Naarangi, a style model, recognized for its resort put on and handcrafted clothes
On this participating interview, we discover the artistic journey of Rudrakshi and Ishita, the visionary co-founders of Naarangi.
Famend for his or her beautiful resort put on and handcrafted clothes, they share their inspirations, the model’s dedication to sustainability, and the way they’re redefining style for the fashionable traveler.
Ishita, your journey to Naarangi was surprising. Are you able to elaborate on how your background in enterprise enhances Rudrakshi’s design experience in constructing the model?
Ishita: Completely. I come from a enterprise background, I’m a graduate of St. Xavier’s Faculty, Mumbai, and I’ve at all times recognized I wished to construct one thing of my very own.
Enterprise runs in my household, so the entrepreneurial intuition was at all times there. Curiously, although I used to be initially on a path towards high-quality jewelry, style had at all times been a quiet ardour.
After I met Rudrakshi, who had simply began Naarangi, there was an instantaneous connection. Her sturdy design sensibility and deep love for material paired effortlessly with my structured, strategic considering.
However what made it much more particular was that I’ve at all times beloved designing too, it’s not simply enterprise for me. I’m deeply concerned within the artistic course of, and over time, I’ve discovered my very own voice as a designer inside Naarangi.
On the similar time, I concentrate on how we place that imaginative and prescient out there, construct methods, streamline operations, and guarantee Naarangi isn’t only a lovely model, however a sustainable enterprise too.
So whereas Rudrakshi brings her years of design expertise to the desk, I complement it with each my enterprise acumen and a rising artistic eye. It’s a uncommon partnership the place each imaginative and prescient and execution feed off one another in one of the simplest ways potential.
What was the pivotal second in your collaboration that solidified your resolution to construct Naarangi collectively? How do your particular person strengths contribute to the model’s success?
Ishita: There wasn’t one dramatic second, it was extra like a sequence of quiet affirmations. From the primary time we sat collectively, surrounded by swatches, colours, and half-formed concepts, we realised we weren’t simply brainstorming a set, we have been constructing one thing that felt private.
What actually sealed it was how naturally our roles fell into place. Rudrakshi thinks in materials, textures, silhouettes, her eye for element is unmatched.
I, alternatively, see the larger image. I take into consideration how this imaginative and prescient will reside on this planet, how will probably be positioned, offered, scaled, and remembered. And someplace within the center, we each share a deep love for storytelling and design.
It grew to become clear very early on that this wasn’t only a artistic collaboration, it was a partnership of equals.
Our strengths don’t overlap; they amplify one another. That’s what makes Naarangi really feel so full, it’s constructed on shared ardour, but in addition a transparent division of strengths that permits each of us to steer with readability and confidence.
How do you make sure that each bit of knickknack or clothes crafted at Naarangi embodies emotion and intention? Are you able to share an instance of a bit that holds particular significance?
Ishita: At Naarangi, nothing is ever made only for the sake of it. Each piece begins with a sense, a reminiscence, a second, a temper.
We design not simply with cloth, however with emotion. Whether or not it’s a shade that reminds you of your childhood summer season, or a silhouette that makes you are feeling seen in your individual pores and skin, we’re at all times chasing that deeper connection.
One piece that actually captures that is our “Nimbu Twist” costume from the Chaska assortment. Once we noticed that vibrant lemony yellow for the primary time, it immediately took us again to sizzling afternoons and chilled nimbu sharbat, refreshing, comforting, and nostalgic.
That single picture formed the whole lot from the material to the match. It wasn’t nearly making a costume; it was about bottling up a summer season feeling and stitching it into one thing wearable.
That’s what we try for with each design, one thing that doesn’t simply look lovely, however makes you are feeling one thing too.
How do you strike a stability between nostalgia and modernity in your designs? What influences your artistic path on this regard?
Ishita: We frequently say Naarangi is the place previous souls meet new types. Our design philosophy is deeply impressed by Indian heritage, hand embroidery, classic craft methods, conventional motifs, however we reimagine them in ways in which really feel related as we speak.
That may imply giving the basic saree a breathable twist, or mixing heirloom shade palettes with simple, up to date suits.
The stability comes from our personal lived experiences, rising up draping mother’s dupattas but in addition scrolling by means of international tendencies. We’re always asking: how will we honor the place we come from whereas talking the language of now?
What are your aspirations for Naarangi within the coming years? How do you envision the model evolving whereas staying true to its roots?
Ishita: Our dream is for Naarangi to change into a family title, not simply as a style label, however as a sense.
We wish to increase thoughtfully into new classes, probably even discover international markets, however by no means at the price of what we stand for.
Whether or not it’s making a bridal line, a jewellery extension, or tapping into newer textiles, we wish to keep rooted in what makes us us, emotion-led design, uncompromised craftsmanship, and just a little little bit of shade remedy for everybody.
Our imaginative and prescient is to maintain evolving whereas holding on to that Naarangi soul that celebrates custom, femininity, and pleasure.
What challenges have you ever confronted in establishing Naarangi, and the way have these experiences contributed to your development as founders?
Ishita: Each part of constructing Naarangi has include its personal studying curve, from managing manufacturing delays and high quality management to navigating advertising and marketing in a extremely aggressive area. Being a bootstrapped model means you put on a number of hats and make powerful calls.
However the largest problem has been educating the market on why our items are priced the best way they are- why handwork issues, why pure materials matter, and why fewer, higher garments are value investing in.
These experiences have made us extra resilient, extra empathetic, and deeply linked to each side of our model. Each misstep has formed us into higher leaders, and extra importantly, higher storytellers.
Rudrakshi, are you able to share how your private journey of self-remembrance influenced the creation of Naarangi? What does this journey imply to you?
Rudrakshi: Naarangi was born throughout a time of quiet reflection, a second after I was making an attempt to return to one thing deeper and extra actual inside me. I’m from Haldwani, close to Nainital — the hills raised me, and in some ways, Naarangi carries that very same stillness, rawness, and depth.
As I moved by means of my very own emotional journey, I felt the necessity to create one thing rooted — one thing that felt like dwelling, like reminiscence, like which means. Naarangi grew to become that area. Not only a model, however a private expression. A spot the place shade speaks, emotion breathes, and tales are stitched into cloth.
It’s my approach of remembering — not simply myself, however the place I come from.
How do you each strategy the design course of at Naarangi? What function does shade play in your creations, and the way does it mirror your private tales?
Rudrakshi: At Naarangi, the design course of doesn’t start with moodboards or seasonal tendencies—it begins with reminiscence. We draw from lived experiences and quiet feelings: the chaos of Indian properties, the scent of summer season, the feel of previous rituals. We design from what we really feel, not simply what we see.
Shade is our first language. It speaks earlier than the silhouette does. For us, it’s deeply private—haldi yellow brings again heat and rituals, nimbu evokes childhood afternoons, deep maroons recall heirloom sarees. Each shade we use holds a bit of who we’re.
That’s why Naarangi isn’t nearly clothes—it’s about carrying reminiscence, emotion, and story. Wrapped in shade.
Rudrakshi, you talked about battling self-doubt. How did you overcome this problem, and the way has it formed your strategy to design and management at Naarangi?
Rudrakshi: Self-doubt has at all times been a part of my journey — typically loud, typically quiet. I’ve stopped preventing it. As a substitute, I pause, hear, and nonetheless transfer ahead. That’s the place the true power lives — in exhibiting up anyway.
As a co-founder, that’s formed how I lead. I don’t lead with certainty — I lead with honesty, emotion, and an entire lot of intestine intuition.
At Naarangi, we don’t create from a rulebook. We create from actual life — from chaos, shade, reminiscence, and temper. We let feelings information us, and we’re not afraid to get just a little messy within the course of.
That’s the soul of Naarangi: uncooked, rooted, and actual — with just a little sparkle, some drama, and many laughter alongside the best way.
Rudrakshi and Ishita’s ardour for craftsmanship and sustainable style shines by means of in Naarangi’s distinctive choices.
Their dedication to creating lovely, ethically-made clothes not solely elevates resort put on but in addition conjures up a acutely aware strategy to style. As they proceed to innovate, Naarangi is ready to depart an enduring impression on the business.
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