Jehangir Artwork Gallery Mumbai | June 23–29, 2025….Opening this night on the iconic Jehangir Artwork Gallery in Fort, Mumbai, Ink & Kin marks the debut solo exhibition of artist Sushma Kothari.
That includes a deeply private assortment of printmaking, the present displays Kothari’s distinctive inventive journey, one which bridges the 2 cities she calls house: Mumbai and San Francisco.
Sushma Kothari’s Ink & Kin is a young tribute to reminiscence, household, and place, explored by the evocative medium of printmaking.
Formed by years spent between Mumbai and San Francisco, the exhibition displays the quiet richness of lived expertise: home rituals, pure landscapes, shared traditions, and fleeting moments preserved on paper.
“Sensitivity, attentiveness, love, kindness, and pleasure outline Sushma Kothari and movement by her work,” writes Mahendra Damle, educationist at Rachana Sansad Academy of Advantageous Arts and Craft, Mumbai.
Kothari’s formal coaching in printmaking spans each Mumbai and San Francisco. Initially a painter, she transitioned to printmaking to higher categorical her visible storytelling instincts. “Although a painter by coaching,”
Damle continues, “she has discovered her true language in printmaking.” Her carved linoleum plates reveal intricate textures, layered feelings, and quiet element—line by line, they communicate of remembered landscapes, familial affection, and the poetry of on a regular basis life.
Jesús “Txutxo” Pérez, a Mexican artist based mostly in San Francisco, captures the essence of her apply: “An actual artist is all the time looking out… Within the case of Sushma, a type of forces behind her prints is love: love for artwork, love for household and nature, for her roots and traditions.”
Watching her work, he provides, “the linoleum plate turns into cropland: fertile furrows the place she vegetation strains, textures, colours, and shapes: intricate landscapes, conventional festivities, kids’s smiles, and household reminiscences.”
A very poignant a part of Ink & Kin is the brand new sequence impressed by her current travels by Kashmir. Drawn to the area’s breathtaking landscapes, vibrant flora, and the heat of its folks, Kothari was profoundly moved.
“Kashmir captivated me,” she shares. “The valleys, the flowers, the herds, the houseboats, and above all, the folks—their hospitality touched one thing deep inside me.”
Reflecting on the Kashmir works, Kothari provides:
“Each etching in my Kashmir sequence carries not solely the visible great thing about the place but in addition my emotional response to its contrasts—the serenity of its nature, the vibrancy of its tradition, and the underlying fragility of peace. These prints are my approach of preserving these fleeting but profound moments.”
Created throughout a time of pressure—when the artist and her companions have been in Pahalgam throughout a current terror assault—this sequence carries an added layer of emotional resonance. “My coronary heart goes out to the locals whose each day lives and livelihoods have been shaken,” she says.
In a gesture of solidarity, a portion of proceeds from the sale of those works will go towards supporting the training of schoolchildren in Kashmir.
“These usually are not simply photos,” Kothari emphasizes. “They’re etched with love—my tribute to Kashmir.”
The Kashmir sequence contains evocative works corresponding to Blooms of the Valley Kashmir, Lilies Beside My Floating Dwelling, Shikara at Dal Lake Srinagar, Chopan – Shepherd at Doodhpatri, Dras River – Srinagar-Leh Freeway, and St. Mary’s Church, Gulmarg Market.
Ink & Kin is each homage and providing—to kinship, to artwork, and to the emotional topography that shapes us.
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